The sign is the subject of a meeting that in all circumstances renews its destiny for the ability to absorb the ego and relate it to the community. But it is not limited to this: it is a form of participatory story that conveys the private part of the ritual without imposing a separation between subject and object; at the same time, it appears to be an area of unconditional freedom capable of adhering to the sentiment of things.
The four paths around the sign taken by such apparently different artists as Sergi Barnils, Giuseppe Capogrossi, Achille Perilli, Joan Hernández Pijuan often converge, demonstrating the relevance of a linguistic hypothesis that continues over time and, under all circumstances, raises new issues.
Alberto Fiz
Milan, Fondazione Stelline, September - October 2017
La Spezia, CAMeC, November 2017 - January 2018
Elementi
e la ceramica in Italia nel Novecento
Then and Now
